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Challenging the Common Place: Transnational Rhetorics and Linguistic Diversity Webinar

Thursday, July 16, 2020
3:00–4:30 p.m. ET
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This panel, featuring three CCCC 2020 award winners, focuses on activist transnational rhetorics, the influence of language ideologies on transnational students’ identities as writers, and approaches for affirming linguistic diversity in the writing classroom. An audience-driven Q&A as well as networking time will follow the presentations.

Presenters:

Wenqi Cui, Indiana University of Pennsylvania, “Multilingual Writers’ Identity Construction through Academic Writing Discourse Socialization”

Subhi Hindi, University of Houston, “The Commonplace Writing Classroom: Code-Meshing FYC Students’ Rhetorics in College Writing”

Zhaozhe Wang, Purdue University, “Assemble Commonplaces through Activist Rhetoric in Transnational Cyber-Public Spaces”

Moderator: Vershawn Ashanti Young, CCCC Chair, University of Waterloo, Ontario, Canada

Respondent: Michael A. Pemberton, Georgia Southern University, Statesboro

Share your learning on Twitter at #4Cchat.

View additional webinars in the CCCC Webinar Series.

CCC Podcasts–Cassandra Woody

 

February 2020 CCC (71.3) Episode 4: “On Implementing Feminist Theory in the Writing Classroom without Naming It”
A conversation with Cassandra Woody, author of “Re-Engaging Rhetorical Education through Procedural Feminism: Designing First-Year Writing Curricula That Listen” (8:27)

 

 

CCC February 2020 Podcast Episode Transcripts

 

Cassandra Woody is an assistant teaching professor in the First-Year Composition Department at the University of Oklahoma, where she coauthored the first-year composition curriculum. Her research interests include feminist rhetorics, feminist writing program administration, rhetorical theory, and composition studies. Her area of focus is currently housed within first-year composition. As a researcher and teacher, she is concerned with the way rhetorics and the teaching of them may move students to recognize power, privilege, and the fluidity of one’s subject position within rhetorical negotiations.

 

 

 

CCC Podcasts–Scott Wible

 

February 2020 CCC (71.3) Episode 3: “Design Thinking as a Process of Learning beyond Success or Failure”
A conversation with Scott Wible, author of “Using Design Thinking to Teach Creative Problem Solving in Writing Courses” (8:43)

 

 

CCC February 2020 Podcast Episode Transcripts

 

 

Scott Wible is an associate professor in the English Department, director of the Professional Writing Program, and a faculty fellow in the Academy for Innovation & Entrepreneurship at the University of Maryland, College Park.

 

 

 

 

CCC Podcasts–Dana Lynn Driscoll, S. Rebecca Leigh, and Nadia Francine Zamin

 

February 2020 CCC (71.3) Episode 2: “Why We Need to Talk about Self-Care in Rhetoric and Composition”
A conversation with Dana Lynn Driscoll, S. Rebecca Leigh, and Nadia Francine Zamin, authors of “Self-Care as Professionalization: A Case for Ethical Doctoral Education in Composition Studies” (15:36)

 

 

CCC February 2020 Podcast Episode Transcripts

 

Dana Lynn Driscoll is a professor of English at Indiana University of Pennsylvania, where she directs the Kathleen Jones White Writing Center and teaches in the Composition and Applied Linguistics doctoral program. She currently serves as coeditor for the open-source first-year writing textbook series Writing Spaces, which offers free readings and instructional materials for composition courses. She has published widely on writing transfer, learning theory, writing centers, and research methods and has offered plenary addresses and workshops around the globe. Her coauthored 2012 article with Sherry Wynn Perdue won the IWCA’s Outstanding Article Award.

 

S. Rebecca Leigh is a professor in the Department of Reading and Language Arts at Oakland University in Rochester, MI. Her research interests include multiple ways of knowing, writing, teacher, and doctoral education. Her current research focuses on how access to art serves as a pathway to literacy learning and its impact on students as writers. Her work has appeared in Language Arts, English Journal, and Journal of Adolescent and Adult Literacy. Leigh can be reached at leigh23@oakland.edu.

 

Nadia Francine Zamin is an assistant professor of the practice at Fairfield University. Her academic work centers around supporting faculty teaching writing across the curriculum, mindfulness interventions in composition, and writing program assessment, while her research is concerned with the cultures surrounding learning and on the creation of healthy and sustainable learning and composing environments for student and faculty writers. Her work has also appeared in Across the Disciplines.

 

 

CCC Podcasts–Antonio Byrd

 

February 2020 CCC (71.3) Episode 1: “From Dissertation to a Journal Article”
A conversation with Antonio Byrd, author of “‘Like Coming Home’: African Americans Tinkering and Playing toward a Computer Code Bootcamp” (10:36)

 

 

CCC February 2020 Podcast Episode Transcripts

 

Antonio Byrd is an assistant professor of English at the University of Missouri-Kansas City. He teaches Black/African American literacy histories, digital rhetoric, multimodal composition, and professional and technical writing. Byrd researches how Black/African American adults learn and use computer programming to address racist policies and create sustainable futures for their communities. His work has appeared in Literacy in Composition Studies.

 

 

Current CCCC Task Forces

Task Force on Assessing the Experience of African American Members of CCCC for Equity, Understanding, and Change with CCCC/NCTE (November 2021)

Members:
Neisha-Anne Green, Co-Chair
David F. Green, Co-Chair
Antonio Byrd
Collin Craig
Brandon Erby
Alicia Kristina Hatcher

Charges:

  1. Create a survey asking for Black members to share what their experiences are and have been and focusing on change.
  2. Work with the current chair to establish two additional concrete charges for this task force based on focusing on Black/African American experiences.

 

Placement in the Pandemic: What to Consider When You’re Considering Directed Self-Placement Webinar

Monday, May 18, 2020
2:00–3:00 p.m. ET
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CCCC membership is required to attend and view a recording of this webinar. Join now. To view this video with closed captioning, hover over the bottom right of the video and click “CC” and “English.

Recent disruptions to standardized testing are forcing many institutions to consider alternative methods for writing placement. The presenters in this webinar—Katherine Conlon (UMass Lowell), Ann Dean (UMass Lowell), Jeroen Gevers (University of Arizona), and Erin Whittig (University of Arizona)—will share their recent experiences implementing Directed Self-Placement and offer support for those looking into new placement approaches, while acknowledging there is no one-size-fits-all solution when it comes to DSP. Participants will be encouraged to ask questions that help them develop their own strategies for developing local DSP expertise, establishing connections with other stakeholders on campus, getting “buy-in” from various stakeholders, addressing common challenges such as resistance from faculty, staff, and administrators, overcoming disagreements over relevant constructs or program goals while implementing DSP, designing valid and effective DSP instruments, and supporting students throughout the DSP process. Presenters will share material resources that participants can use at their own institutions.

Share your learning on Twitter at #4Cchat.

View additional webinars in the CCCC Webinar Series.

2020 CCCC Summer Conference at Boston University Postponed

April 29, 2020

As a result of continued uncertainty surrounding the COVID-19 pandemic, CCCC leaders have made the difficult decision to postpone the 2020 CCCC Summer Conference at Boston University, July 9–10, until the summer of 2021. We express our sincerest thanks and appreciation to Ellen Carillo and Jason Courtmanche, University of Connecticut; Alice Horning, Oakland University; and Matthew Parfitt, Boston University, for their planning, leadership, and commitment in developing the program for Critical Literacies in the 21st Century Classroom.

Look for updates on future CCCC events on Facebook and Twitter.

CCCC Outstanding Teaching Award

Nomination Deadline: July 1, 2024
Initial Application Packet Deadline: July 30, 2024

Purpose: Established in 2020, the CCCC Outstanding Teaching Award is presented annually to honor the discipline’s practitioners and make visible the best teaching practices of the field. The intent of this award is to honor teaching and CCCC members who do their primary work in the classroom every day. CCCC offers two awards each year—one for an Emergent Outstanding Teacher and the other for a Sustained Outstanding Teacher. Awardees will receive $500 for travel, classroom, or other educational funding.

Eligibility: Educators are eligible to apply if they teach primarily during a student’s first year in college or in students’ first college writing classes, including:

  • first-year composition
  • basic writing
  • first-year seminars
  • accelerated learning
  • general education
  • developmental writing
  • other writing models that occur during a student’s first-year standing in higher education

Award Criteria: The award winners will be chosen by the committee based on evidence illustrating:

  • use, adaptation, and/or embodiment of research-informed practices
  • student learning among a diverse group of learners with multiple literacies and language practices
  • responsive and effective teaching methods, assignments, and activities
  • an engaged classroom with thoughtful curriculum delivery that promotes student agency
  • meaningful, informed, democratic, and equity-driven assessment practices
  • inspiration of students and other teachers.

The committee will also consider institution type (e.g., tribal colleges, four-year residential, four-year urban, teaching-intensive, minority-serving, two-year colleges, open admissions, small liberal arts), contact hours, number of students, populations and communities served (e.g., students with disabilities, nontraditional students, L2/language diversity, racially diverse), and teaching frameworks (e.g., social justice pedagogy, universal design, culturally sustaining pedagogies).

Award Specifics: Awardee selection involves a three-part process. All materials must be submitted as PDFs emailed to cccc@ncte.org. This award is intended to recognize excellence in teaching and learning practices, and materials submitted should be designed for and used in first-year writing courses. Materials should reflect the applicant’s classroom practices (rather than materials generated for the purpose of writing program administration more broadly).

FIRST: Nominations are due by July 1, 2024. Nominating letters submitted by a colleague who knows the nominee’s work will take the place of the letter of support in the initial application packet. Those nominating should cc the person being nominated to prompt the nominee to complete an initial application. The nominating letter: establishes the nominee’s eligibility (i.e., teaches primarily or exclusively first-year writing and aligned writing courses in a college setting); indicates the appropriate award category for consideration (see category descriptions); and describes how the nominee works within and beyond standards defined by disciplinary scholarship and practices, establishing connections between the nominee’s teaching and theory. (Reflect, for instance, on how the nominee’s teaching and learning practices enact and/or critically challenge the NCTE Definition of Literacy in a Digital Age, NCTE Professional Knowledge for the Teaching of Writing, and/or CCCC Principles for the Postsecondary Teaching of Writing.)

Self-nomination is also an option, and can be completed by submitting a letter that’s comparable to the cover letter in the initial application packet (see “Cover letter” below). Meeting the July 1 deadline is not required for self-nomination, but will give nominees time to have their eligibility confirmed and to seek support as needed with submitting the initial application packet.

SECOND: Initial application packets are due by July 30, 2024. In one PDF, please submit:

  1. Cover letter (not required if submitted via self-nominated by July 1; no more than 750 words) The cover letter: introduces self as a nominee — including years of teaching, course load(s), institution type(s) — and one whose work may exemplify the best teaching practices of the field; forecasts what would be seen by the committee in a teaching and assessment portfolio; details the nominee’s professional context, including institutional working conditions and challenges.
  2. Support letter (see nominating letter specifications above; not required if submitted via nomination letter by July 1)
  3. Teaching philosophy (no more than 750 words)
  4. Curriculum vitae

The selection committee will use this rubric to determine which nominees will advance.

THIRD: Nominees invited to submit second-round application packets will be contacted in early August 2024, and should submit the following in a single PDF by September 15, 2024.

  1. Critical reflection of teaching with supporting materials
    1. Reflection: establishes the framework for the nominee’s approach to designing and teaching first-year writing, including the ways in which professional development and/or scholarship have informed teaching practice (no more than 750 words).
    2. Supporting materials: provides evidence of how peda-/andragogy is enacted, e.g., selections from syllabi, trademark assignments, other teaching materials that illustrate how the nominee engages learners (no more than 10 pages).
  2. Assessment philosophy with supporting materials
    1. Philosophy: articulates and theorizes the nominee’s approach to writing assessment in their professional context(s) (no more than 750 words).
    2. Supporting materials: provides evidence of how assessment is enacted, e.g., teaching materials, sample student work (no more than 10 pages).
  3. Teaching observation (from a colleague or other qualified individual)
  4. Up to 3 additional letters of support that speak to the nominee’s teaching (from, e.g., students, colleagues, or administrators)

The selection committee will use this rubric to determine which nominees will be awarded.

Award recipients will be notified by early February. Award recipients will be honored at the CCCC Annual Convention during the awards presentation and will receive a plaque and $500 for travel, classroom, or other educational funding. The recipients will also be honored at the Teacher-to-Teacher event during the CCCC Annual Convention and therein give a workshop, lead a discussion, and/or speak at the event.

E-mail questions

Outstanding Teaching Award Winners

2024

Emergent Award
Philip B. Gallagher, Mercer University

Sustained Award
David M. Grant, University of Northern Iowa

2023

Emergent Award: Qianqian Zhang-Wu, Northeastern University
Sustained Award: Douglas S. Kern, Valencia College
Honorable Mention, Sustained Award: Emily Sendin, Miami Dade College

2022
Not awarded.

2021
Jessica Kubiak, Jamestown Community College, NY
Bernice Olivas, Salt Lake Community College, UT

CCCC Webinar Series

Recorded Webinars

CCCC membership is required to access the recordings of these webinars. Join now. You will need to log into your CCCC/NCTE account and go to your Library. To view the videos with closed captioning, hover over the bottom right of the video and click “CC” and “English.”

Queerness, Cultural Rhetorics, and Decoloniality: Expanding the Conversation(s)
November 13, 2020

Interrogating, Responding, Reconfiguring Disability in College Composition: Challenging Common Tropes
September 24, 2020

Challenging the Common Place: Transnational Rhetorics and Linguistic Diversity
July 16, 2020

Placement in the Pandemic: What to Consider When You’re Considering Directed Self-Placement
May 18, 2020

Online Environments and Your Students: Strategies to Inform Writing Instruction
April 22, 2020

Your Endless Stack of Papers: Maximizing the Effectiveness and Fairness of Assessment in Composition Classes
March 13, 2020

Academic Publishing: Three Editors on What You Need to Know
October 24, 2019

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