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Jared Johns: Case #1

A newly minted Ph.D. in rhetoric and composition, Jared Johns, is hired by University X

because of his specialization—and interest—in new media.  Coming into the job search, Johns has two publications in print (one review essay in Computers and Composition and one article in the same journal). Computers and Composition is a journal that operates under a blind-review system and accepts approximately 1/3 of the articles sent its way.  Johns also has an online publication in Kairos, a journal that operates on two-tiered review system.  All submissions for this journal are reviewed first by the Editorial Review Board and, if they pass muster, are assigned developmental editors who work with the author to develop the piece for publication.

 

Johns joins the faculty in the Department of English and is asked to administer the department’s computer facility (for which he gets one course of release-time each semester, sit on the university’s computer-fee committee, and teach two courses a semester.  During his first year, Johns struggles a bit with his teaching.  It is not clear whether the low student evaluations are due to his use of unfamiliar technologies in a school that has not heretofore used technology in first year-English courses or whether students in his classes are struggling with the online tasks he asks them to do, or whether his teaching skills are problematic.

 

As a matter of department procedure, a senior faculty member—an Elizabethan specialist, and a self-professed technology buff—visited Johns’ class and observed his teaching, but only remarked that he got lost early in the hour because of the technical terms Johns was using.  He reported that students worked in teams on an assignment involving computer-based, visual arguments in the form of an enthymeme, but noted that he didn’t see any connection with the regular argumentation assignment that the first-year teachers were supposed to be working with and was worried that the students in this class would come out of ENGL101 without a full understanding of persuasive argumentation.

 

Johns’ graduate course—on the relationship between humans and computers—went much better and yielded high course evaluations.  Lots of graduate students decided they wanted to work with Johns, and he found himself serving on 14 committees.  No graduate student asked him to Chair a committee because they recognized him as a new faculty member without a reputation, but they all wanted him to serve and help them think about the implications of using technology.

 

The department chair—as self-professed fan of technology use and a Blake scholar—called Johns in for a conference after his first term and encouraged him to take it slow with technology in his courses, develop some self-paced tutorials for students who need extra help with technology, and have the Director of the Center for Teaching Excellence visit his classes.  He also noted that Johns was responsible for making sure that students in his first-year composition class got the same kind of instruction in his section as in all other sections so that they would be properly prepared for the second-semester composition course.

 

During the second term, Johns focused on the administration of the departmental computer-facility.  He recruited and organized a cadre of volunteer students to staff the place given that he did not have a consistent source of departmental funding (the department had voted to allocate money to library purchases rather than to salary for the computer facility).  He was a bit wary of approaching the Chair for additional funds given his teaching difficulties.  Organizing the cadre of technical consultants (30 in all) took more of Johns’ time than he had anticipated, and he found himself spending weekends at the computer lab with them—trouble shooting machines, installing new software, training the new consultants.  And the ordinary kinds of problems arose:  early in the second semester, one of the student consultants caused a row with a faculty member because he refused to give up his machine when the faculty member came into the lab with a project to do—Johns had to mediate.  Another time, two faculty members asked Johns to purchase an expensive piece of software for the lab, a complete set of grammar tutorials, but Johns refused on the basis that such tutorials were not pedagogically sound and the software purchase would keep him from buying other packages that the lab really needed.  Finally, Johns tried to get together a technology advisory committee for the department, but only the graduate students were willing to serve.

 

During this year and the next year, a number of faculty members asked Johns to talk to their classes and to help them with technology plans and problems in their courses.  And even though the Chair noted that he did not have to honor such requests, Johns was no dummy—he knew that some of these colleagues would be evaluating his tenure and promotion case at the end of his fourth year, and so he was generous with his time.  Johns also served on the university computer-fee committee and was elected Chair of that committee because none of the other faculty were willing to take on that job.

 

Johns’ publication efforts went slowly.  He had volunteered to moderate a very active listserv—entitled Technology and Pedagogy—(hoping that it would give him some understanding of his own teaching challenges), and he gave papers at 3-4 major conferences each year.  Conference-review teams loved Johns’ work—it was cool and interesting, and he gave a great oral presentation.  He always attracted a crowd.  By the end of his third year, Johns had three papers accepted and published in conference proceedings, and two poems published in an online poetry journal The Thin Silver Line, a refereed collection, but with an 89% acceptance rate. He also had a chapter published in an edited collection of work on teaching with technology—in which he described some of the projects he had students doing in his classes in response to a linked series of assignments on Neo-Nazi web sites.   He was working on a project to turn his dissertation (on the nature of cybercollaboration in a particular online community of faith healers) into a book, but he had a difficult time finding a publisher who would give him a contract.  He was loath to let the effort go, however, after sinking many hours into the 200 pages he had written for the prospectus.  Finally, a new, experimental online publishing concern said they would publish the manuscript if he would maintain a web site in connection with it—and if he would answer readers’ questions and respond to their comments on the text as they arose.

 

Johns’ teaching continued to be uneven—he did better in graduate classes than in undergraduate courses.  He always invited people in to see the projects that his students did—often inviting administrators outside the department to visit the web sites he had students build for class.  Both the Provost and the Director of the Academic Computing group thought that Johns’ classes were innovative if unorthodox.  There were always a few student complaints from his courses, mostly about his insistence that the students use technology.  The university did not believe in marking technology-rich sections in the catalogue and students didn’t know until they got into Johns’ course what was involved.  In the Spring semester of his third year, a parent of one of the students in Johns’ class wrote the President and complained that their son was taking first-year composition from Johns but not learning to use correct grammar.  The student had written an e-mail message home to a colleague of his father to apply for a summer job and had made such egregious errors that his dad was embarrassed.  The father wrote the President to complain, and the President wrote the Department Chair to complain.  And the department Chair asked Johns to write a letter to the parent (copying the president) explaining his approaches.

 

In his fourth year, Johns continued work on his manuscript to be published online, continued his work with the departmental computing facility, and continued teaching. He had served on a total of 16 Masters level committees and 8 Ph.D. committees, although he had chaired only one Ph.D. committee—after the original Chair had gone on extended leave in England—and that student had graduated but not gotten a job.  The department’s Director of Graduate Studies had talked to Johns and told him to cut down on the graduate-student committees he served on, but Johns seemed incapable of saying “no” to graduate students. Johns also had gotten a Faculty Development grant for $13,000 to create a multimedia workstation in the departmental computer lab and approximately $11,000 of free software and hardware from outside venders.

 

At the end of his fourth year, the departmental Personnel Committee reviewed Johns’ case and sent a mixed review to the Chair.  Teaching evaluations were gauged at a barely acceptable level (the rest of the department’s were higher for the same courses).  The Committee remarked on the nature of the online assignments that Johns had submitted in an online teaching portfolio and the quality of the projects his students had done.  The committee members considered these assignments to be innovative, but not always appropriate for first-year students who needed to master the conventions of academic discourse before they went on to their majors courses. Two committee members were bothered by the lack of conventional argumentation work represented among the students’ work and by the poor quality of the proofreading in the projects.  Another Committee member liked the visual argument assignment.  But two committee members were unable to review that assignment because their machines lacked the required Java plug-in. Service was judged to be good—lots of colleagues had remarked on the fine job Johns was doing; the departmental facility was doing fine.  Scholarly productivity was evaluated as marginal at best and did not look like the kind of case that would fly in a regular tenure review.  Members of the committee had difficulty with the electronic book idea, and did not think it would qualify as peer-reviewed.  They also noted that Johns had not been hired to publish poetry so his online poetry should not count.  They noted that this assessment left Johns with one book chapter (which really was not refereed in the traditional sense), one online article (not peer-reviewed in the traditional sense), an online book (which they had no idea if anyone had read), and three pieces in proceedings.  The typical departmental standard for publication output at tenure time was at least six, peer-refereed articles in first- or second-tier journals.  The department recognized electronic publication, but noted that such publication should be peer refereed.  Johns’ letters from outside reviewers’ (which the Personnel Committee asked for because they were relatively unfamiliar with electronic scholarship) were outstanding:  a full professor lauded his service on the Editorial Board of Computers and Composition and his leadership as the Technology and Pedagogy listserv moderator, as well as his book chapter and his online book, which he deemed  “groundbreaking.”  Two Associate-level reviewers mentioned speaking with him at conferences and said that his papers in the conference proceedings were incisive and thoughtful.

 

The Committee voted 4-5 in favor of re-appointment, but said the Chair should give Johns a stern warning to publish only in refereed print journals until he finished his probationary period and received tenure.

Tenure and Promotion Cases for Composition Faculty Who Work with Technology

Tenure and Promotion Cases for Composition Faculty Who Work with Technology

Introduction

This Web site is designed for composition faculty whose professional lives focus on computer technology.  It provides multiple perspectives on the ways others—especially department chairs and members of tenure and promotion committees—may see and evaluate work with technology.

This site outlines five fictional tenure and promotion cases of composition faculty who work with computer technology—addressing their contributions in the area of teaching, scholarship, and service.

Linked to each case are the comments of real department chairs, deans, and personnel committee chairs, writing anonymously and frankly about how the case would be evaluated at their institutions.  We have tried to include assessments from individuals at a wide range of institutions, so that the site is useful to as many faculty members as possible.

The evaluations of these cases should not be substituted for the advice of the dean, department chair, and personnel committee chair on a candidate’s own campus.  Nor do these evaluations represent, in any way, an official position of the CCCC.

This site is sponsored by the CCCC Committee on Computers in Composition (the 7 Cs) and compiled by the following sub-committee members in 2001:

Cynthia L. Selfe, sub-committee Chair, Michigan Technological University
Linda Hanson, Ball State University
Gail Hawisher, University of Illinois, Urbana-Champaign
Victor Villanueva, Jr., Washington State University
Kathleen Yancey, Clemson University

Background

Resources

Background

Widespread work with computer technology in the field of composition studies began during the1980s when the first fully assembled microcomputers began making their way, in large numbers, into American classrooms, specifically English, language arts, and composition classrooms.

Faced with the reality of computer environments that were fast becoming the accepted milieu for literacy practices and values, universities and departments began seeking qualified candidates well prepared in the areas of composition and rhetoric, and yet knowledgeable about the computer environments that had begun changing communication on local, national, and global levels.

Given the relative youth of this specialized area, departments and universities continue to face some distinctive challenges when dealing with the preparation and assessment of faculty bringing forward tenure and promotion cases.

At least four major factors figure into these challenges.  The first challenge involves the preparation of these professionals—which often takes place in Ph.D. programs in Rhetoric and Composition or English.  Within such contexts, the interests of computers and composition specialists represent an unusual blend of humanist and technological.  In their graduate preparation, these scholars may combine—among many other areas of study—composition theory, rhetorical theory, technology studies, computer science, critical and social theories, new-media studies, and communication.  As a result of this non-traditional preparation, scholars who focus their work on technology may have a wide range of expectations about their own responsibilities to a department and the ways in which tenure and promotion criteria apply to the work they may do.

Second, because these professionals often cross traditional disciplinary boundaries in their scholarly work as well as their preparation, they may publish in unfamiliar journals or emerging digital venues that can accommodate their work.   The publications that such specialists produce may also take digital forms unfamiliar to department chairs, other colleagues, and tenure and promotion committees:  among just a few of these, new-media texts, hypertexts, software, CDs, visual arguments and narratives, digitized documentaries or coverwebs.  Similarly, the teaching materials and approaches of these new faculty may diverge from the conventional.  Their syllabi and assignments may be online or in digital forms unfamiliar to other faculty.  Their classes may take place in electronic environments or their exchanges with students and colleagues may be conducted in synchronous exchanges.  As a result, the teaching and scholarly profiles of these colleagues may take unfamiliar forms.

Third, composition professionals who focus their work on technology—faced with the complex task of keeping abreast of fast-changing communication technologies and helping their departments to do so, as well—may be asked to take on departmental assignments that involve an unusually heavy time commitment and service load:  administering a computer-supported writing facility; assisting departmental faculty with distance-education efforts; serving on university, college, and department technology committees; helping colleagues learn how to use instructional technology; supervising graduate students teaching in computer-supported classrooms.  As a result, their departmental profiles may look unlike those of other colleagues, their work loads may need adjusting, or their progress toward tenure and promotion may need special attention.

Fourth, faculty members who focus their work on technology are often charged with staying abreast of changing technology and exploring new forms of digital composition, literacy, texts, and professional involvement.  As a result, they may value various forms of scholarship, teaching, and service work that are unfamiliar to other department members and to the university as a whole.  Hence faculty members who work with technology need to meet regularly with department chairs and the chairs of department personnel committees to clarify expectations for tenure and promotion and their progress toward tenure and promotion.

For more information about these factors and advice that may benefit new faculty working with technology, see the links provided to statements of the CCCC and the MLA.

Tenure and Promotion Cases for Composition Faculty Who Work with Technology

CCCC Committees and Task Forces

Committees are appointed for terms not to exceed three years. Committee terms end during the month and year indicated. The Executive Committee may reconstitute a committee at the end of its term. The committee chair must submit a request for renewal more than six weeks prior to the upcoming CCCC Executive Committee Meeting if the committee wishes to request reconstitution. CCCC Committee Chairs should refer to the CCCC Committee Management Guidelines document for more information. The following are current CCCC 3-year committees.

Visit the CCCC Resources page for a variety of resources resulting from the work of previous CCCC committees.

Get Involved!

CCCC accomplishes much of its work through the use of committees. It is because of committees that we have position statements, award programs, even a conference itself. We are always looking for potential committee members with expertise, energy, and colleagiality. Indeed, we depend on such people.

If you are interested in serving on a CCCC Committee (including award selection committees), please contact the CCCC Liaison at cccc@ncte.org.

Visit the User’s Guide to CCCC for information on organizational structure(s) and how CCCC members are involved.

Committees

Accountability for Equity and Inclusion Committee

Committee on Academic Freedom, Tenure/Renewal/Reappointment, and Employment Security (March 2028)

Committee for Decolonizing Writing, Rhetoric, and Communication Curriculum, Pedagogy, and Organizational Culture (March 2027)

Committee on Computers in Composition and Communication (November 2024)

Committee on Disability Issues

Language Policy Committee

Newcomers’ Welcoming Committee

Research Committee

Social Justice at the Convention Committee

Committee on Undergraduate Research

Current CCCC Task Forces

Top Intellectual Property Developments of 2015

Introduction to the 2015 CCCC-IP Annual

by Clancy Ratliff

I remember being in John Logie’s rhetoric and intellectual property seminar at the University of Minnesota in 2003.


From my personal archives: a photo of the course syllabus.

He would often ask us to find news stories about, to use his phrase, the IP landscape, and in class we would juxtapose our discussions of critical theory of authorship and complex analysis of copyright law with current news about intellectual property issues. This began a habit of mind for me, which after about a decade I have systematized: all through the year, I see interesting stories in my social media feeds and my other reading, and I paste those URLs into a TextEdit document (and I’m increasingly doing screen capturing to augment this), which I turn into a CFP around the end of each year – a wish list of topics I hope people will want to write about, and they do, and very well.

In the 2015 Caucus meeting, we decided to start including a dedicated pedagogy section in the Annual. All the articles have had connections to rhetoric and composition in some way, but the three articles in the Pedagogy section this year are more explicitly directed toward classroom application and reflections on teaching writing. Kristi Murray Costello’s excellent analysis of the FI (failure for cheating or plagiarism) course grade is the first scholarly examination in our field of this new institutional development. Steven Engel gives us several clever classroom activities about the misattributed quotation on the Maya Angelou postage stamp that help students better understand authorship. Kathrin Kottemann helps us reflect on what we’re asking students to do as authors; through her research about catfishing, an online dating phenomenon, she raises the question: are we asking our students to be catfish? To pretend to be someone else?  In future years, we hope to have not only pieces such as these, but other teaching genres as well: syllabuses for new courses on IP issues, lesson plans, assignment descriptions, and curated lists of resources for teaching about copyright and authorship.

After the section of articles that are closely related to pedagogy is the section I’m calling Copyright and Authorship in Culture. The six articles in this section all look at 2015 events in the IP landscape and situate them in rhetoric and composition broadly. Matthew Teutsch illustrates the stakes of appropriation in his analysis of a political cartoon on Twitter that perhaps some of us saw: the lowering of the Confederate flag followed by the raising of the LGBT pride flag, a visual comment on two of the most important (and in one case, tragic) historical moments of the year. Craig A. Meyer writes about an artist who enlarged and printed Instagram photos of members of SuicideGirls, an adult lifestyle brand, as they describe themselves online. I will admit that I found the moving of the Instagram images across contexts to large gallery-quality prints to be an inventive and chic stylizing. However, the artist did not inform anyone in SuicideGirls that he intended to do this, and he sold the images for $90,000 each. Meyer’s analysis of this case is insightful.

William Duffy provides an impressively thorough explanation of the complexities and stakes of the “defeat devices” in Volkswagens: software that reported false data about emissions. Freedom to tinker in this case has implications for the environment, road safety, and much more. Wendy Warren Austin has taken the news story about the emergence of the kilo-author – which is exactly what it sounds like: 1000 or more co-authors – and made a substantial contribution to composition scholarship in her analysis of authorship in the sciences.

Laurie Cubbison continues her tracking of Taylor Swift’s copyright advocacy, which began in the last CCCC-IP Annual with a report about Swift’s decision to pull her album from Spotify. This year, Cubbison analyzes Swift’s argument to Apple: she pulled her album from the Apple Music streaming service because artists would not be paid for songs streamed during the free trial period for users, and Apple reacted by agreeing to pay the royalties. Kim Gainer reports on the most recent legal developments involving the status of the song “Happy Birthday,” a song that should have been in the public domain already but has not been. Now, however, those wanting to use “Happy Birthday” in audio or video compositions may do so without worry – though specific performances of the song may still be protected by copyright, of course.

The CCCC-IP Annual has always featured thoughtful and critical reviews of longer texts about copyright and intellectual property, particularly white papers from other organizations such as Creative Commons and the Electronic Frontier Foundation. Traci Zimmerman continues this tradition with a review of a new handbook from the Authors Alliance, Understanding Open Access: When, Why, & How to Make Your Work Openly Accessible.

In sum, I’ve learned a lot from reading this year’s Annual articles, and I hope you do too. If you assign any of them in your classes (they would work so well not only in composition classes, but in technical writing and literature courses also), please contact me and let me know how it went.

 Table of Contents
 1 Introduction to the 2015 Annual
Clancy Ratliff
 Pedagogy
 4 Who’s Failing Who?
Six Questions to Consider Before Adopting the FI Grade

Kristi Murray Costello 
 12 Stamp of Authenticity: Using The Maya Angelou Forever Stamp to Explore Quotation and Authorship
Steven Engel 
 17 Catfishing, Authorship, and Plagiarism in First-Year Writing
Kathrin Kottemann
 Copyright and Authorship in Culture
 20 Cultural Commentary and Fair Use: Bob Englehart, the Southern Poverty Law Center, and Two Flags
Matthew Teutsch 
 28 A Prince, Some Girls, and the Terms: A Canary in the Cave?
Craig A. Meyer
 33 Defeat Devices as Intellectual Property:
A Retrospective Assessment from the DMCA Rulemaking
William Duffy
 47 How Does the Rise of the ‘Kilo-Author’ Affect the Field of Composition and Rhetoric?
Wendy Warren Austin
 54 All She Had to Do Was Stay:
How Apple Music Got Taylor Swift and Avoided Bad Blood

Laurie Cubbison 
 58 A Copyright Ruling Puts the “Happy” Back in Happy Birthday (and Brings an End to the Mortification of Restaurant Servers and Patrons)
Kim Dian Gainer
 Review
 67 Understanding Open Access: When, Why & How to Make Your Work Openly Accessible
Traci Zimmerman 
 73 Contributors

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Computers and Writing Conference

Call to Host

The CCCC Committee on Computers in Composition and Communication (7Cs) invites all interested institutions to submit proposals to host the onsite Computers and Writing conference(s), which are held annually.

The Computers and Writing Conference is the main conference for those who use computers and networks to teach writing. It brings together scholars, teachers, and professionals from all over the world in an intimate, welcoming setting to discuss the problems, successes, innovations, and logistics of computer and network-based writing instruction.

Since there is no formal organization that oversees the conference and its continuity from year to year, the Computers and Writing community relies upon the generosity of institutions of higher education to host the conference. Typically, these institutions can donate time, personnel, facilities, and limited funding to make the conference a success. Proposals include information about a proposed theme, possible keynote speakers, activities, and innovations that will make the conference a success.

The 7Cs welcomes proposals from individual institutions of higher education as well as those that are collaborative across institutions, including community colleges, K-12 institutions, and nonprofits.

Proposal Timeline

We seek applications two to three years prior to target hosting dates (e.g., for proposing to host C&W in 2024, the application should be completed during 2022; proposals to host in 2025 may be completed in 2022 or 2023).

  • May-June (post-C&W): Call for Hosts posted
  • June to October: If desired, talk with 7Cs to discuss interest
  • November 1: Email of Intent due to Committee chair(s)
  • February 15: Applications due
  • March-April (at CCCC): Applications reviewed
  • May-June (at C&W): Site(s) for conference(s) announced
  1. Question period. After the Call for Hosts comes out, look over these guidelines and decide if you need to speak with the 7Cs committee before considering your intent to host. If you have questions about hosting—anything from budgets to locations to technologies used, etc.—email the committee chair with your questions, or request an online meeting. Alternatively, you can meet in person by setting up an individual meeting during the CCCC or C&W, attending the open portion of the 7Cs Business Meeting at CCCC, or attending the 7Cs Open Meeting during the C&W conference that year. Meeting f2f is not mandatory, nor is querying the committee prior to submitting your letter of intent. It’s just in case you have questions.
  2. Statement of Intent. By November 1, submit a statement of intent by sending an email to the committee chair. Indicate in the subject line which year you are interested in proposing to host. This statement can be an informal email that allows 7Cs to know who’s interested and who the host-proposal contact person is, in case we have questions prior to the application due date. (This also allows 7Cs time to solicit proposals, if we don’t get any intentions by Nov. 1.)
  3. Application. By February 15, email the committee chair with the URL of a web-accessible version or Google Doc responding to the application criteria, listed in the next section. The committee may contact submitters, and in some cases ask for revisions, if it has questions or concerns about a proposal.
  4. Acceptance. Following its CCCC Business Meeting, the committee will contact proposers to indicate acceptance status of the proposals. The selected host(s) will be publicly announced at that year’s C&W conference. After that point, the selected host(s) are responsible for all advertising, although the 7Cs is available for help and to answer questions during the lead-up to the conference(s).

Application Criteria

The 7Cs committee will be assessing proposals based on the following criteria:

  • The stability, experience, and status of the applicant and identified staff members.
  • Evidence of adequate funding and commitment from funding agencies, departments, and so forth.
  • Complete budget showing well-thought out and realistic projections.
  • Reasonable facilities (rooms, technology, etc.) for conference session accommodations (as well as the quality of the accommodations themselves).
  • Reasonable costs for hotel and/or dorm accommodations, including concern for graduate students and others in the community who traditionally have less departmental support for professional development.
  • Plans for the conference program that show a theme (if desired), variety of possible keynotes and/or session strands, appropriate focus, clear sense of structure.
  • Plans for including hybrid or online participation elements (if applicable).
  • Reasonable registration costs that account for multiple kinds of attendees.
  • Added value of any sponsoring events (dinners, tours, etc.).
  • Facility support for disabled conference attendees and other attendees with special needs.
  • Accessibility of site (geographical location) and distance/difference from recent, previous conference sites (when possible).
  • Uniqueness, ability to enhance or improve the conference.
  • Depth and substance of plans to collaborate with online conference organizers

When applying, consider the above criteria when answering the Required Application Questions in the next section. Your application can include links to material about the speakers, hotel, local attractions, technologies being considered, and so forth. The more information you can provide for the Selection Committee, the better.

Required Application Sections

If a section or item isn’t applicable, please indicate so.

Background Information

  1. Date Application Posted
  2. Name of Organizing Committee Chair/Lead Applicant
  3. Institution (if applicable)
  4. Postal and Email Address
  5. Phone
  6. Name, Affiliation, and Contact Information for All Other Organizing Committee Members
  7. Year Proposed

Conference Funding

  1. Source of funding
  2. Amount of funding
  3. How will you allocate funding? (Please attach detailed preliminary budget)
  4. Approximately what will you charge for registration? What will additional events (e.g., special tours or trips) cost?

Conference Facilities

  1. In the past, up to 400 people have registered for the Computers and Writing onsite conference. Please list hotel(s) or dorm(s) and number of rooms to be set aside for attendees.
    a. Main facility providing accommodations
    b. Number of rooms reserved
    c. Additional Hotels
    d. Number of rooms reserved
  2. What will you do to provide a location and adequate exposure for affiliate groups? How will you guard against uneven placement and ensure traffic for the exhibits?
  3. What will be the cost of hotel or university accommodations for attendees?
  4. Why are you a good site for the conference in terms of excellence of faculty planners, computer/conference facilities, and accommodations?
  5. How far is the conference site from a major transportation hub? Identify any potential travel agency connections.
  6. What computer support can you provide for attendees drafting papers, printing documents, checking email, and so forth? Are labs available on campus? What kind of Internet access will be available?
  7. The ideal site will be in a location that offers a safe environment for conference attendees regardless of their race, disability, gender identity, sexual orientation, religious belief, or cultural background. To your knowledge, are there any legal, social, or cultural reasons that your site may pose a problem? How does your site ensure accessibility?

Conference Program and Events

  1. Past conferences have sponsored as many as 55 hour-and-15-minute sessions over a two- or three-day period. These are concurrent sessions with approximately four speakers for each session. Conferences have commonly begun with workshops, registration, and (sometimes a) keynote or reception on Thursday, held concurrent sessions all day Friday and Saturday and on Sunday morning, and occasionally ended with a brunch or lunch and final speaker on Sunday, followed by an open 7Cs meeting and/or area tours. Briefly describe your plans for the conference program—its structure, focus, and/or theme.
  2. Briefly describe any plans to include hybrid and/or online conference participation. What support structures are in place to ensure their success?
  3. Who will you ask to review proposals to ensure high quality?
  4. Are you planning on sponsoring other events (dinners, tours) that attendees might participate in? If so, please list, with cost above in the Funding section.
  5. What specific features are you planning to make your meeting unique or to improve or enhance the Computers and Writing conference?

Conference Management and Staff

  1. What kind of help or advice from past organizers would you find most useful?
  2. Would you be willing to serve as a non-voting member on the CCCC’s Committee on Computers and Composition for the year preceding and following your hosting the conference, to receive and then provide counsel about hosting the conference?
  3. Which previous Computers and Writing Conferences have you and/or your Co-Chairs attended?
  4. Please add any other comments you might have regarding plans for Computers and Writing.

Performing Professionally as a Writer: Research Revival Vlogs

Jim Henry

Abstract:

Six professional writers who participated in the original Writing Workplace Cultures research published in the initial version of CCC Online (2001) contributed to a revival of that research in its performative dimensions by self-producing video logs about their professional performances as writers.

Full Text

Author:

Jim Henry currently serves as Director of the Manoa Writing Program, the University of Hawaii at Manoa’s writing across the curriculum program that administers 500+ writing intensive courses per semester.  He founded the UH Writing Mentors, an initiative that embeds graduate students in first-year composition courses to coach student writers.

 
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Installation, Instantiation, and Performance

Jacqueline Rhodes and Jonathan Alexander

Abstract:

“Installation, Instantiation, and Performance” explores how our professional conferences deprive us of opportunities to think through and with the body; how critical theorists have shown us the potential significance for thinking through the body as a powerful form of disciplinary critique; and how installation rhetoric attempts to use the body to provoke productive critical engagement with questions and issues of pressing concern to our discipline.

Full Text

Authors:Jacqueline Rhodes is Professor of English at CSU San Bernardino. Her book, Radical Feminism, Writing, and Critical Agency: From Manifesto to Modem, was published in 2005 by SUNY.

Jonathan Alexander is Professor of English and Chancellor’s Fellow at the University of California, Irvine.

 
 
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CCC Videos

View videos related to content published in College Composition and Communication (CCC).

Geocomposition in Public Rhetoric and Writing Pedagogy (2:22)
Nathaniel A. Rivers

View a brief video abstract for Rivers’s article “Geocomposition in Public Rhetoric and Writing Pedagogy.”

 

Metanoic Movement: The Transformative Power of Regret (5:53)
Kelly Myers

In this short video (related to the article of the same title), Kelly Myers and some of her students discuss metanoia and revision.

 

Staff and Editorial Board

Editor:
Bump Halbritter, Michigan State University
Assistant Editors:
Steven Lessner, Michigan State University
Casey Miles, Michigan State University
Minh-Tam Nguyen, Michigan State University

Dean Holden, Michigan State University

Editorial Board:
Linda Adler-Kassner, University of California – Santa Barbara

Jonathan Alexander, University of California – Irvine

Christine Alfano, Stanford University

David Blakesley, Clemson University

Dànielle DeVoss, Michigan State University

Patricia Dunn, Stony Brook University

Jeff Rice, University of Kentucky

Martine Courant Rife, Lansing Community College

Stuart Selber, Penn State University

Pamela Takayoshi, Kent State University

Todd Taylor, University of North Carolina at Chapel Hill

Vershawn Young, University of Iowa

 

CCC Editor Kathleen Blake Yancey, Florida State University

 

CCCC Connected Community / Member Web Editor:

Dana Driscoll, Oakland University

 

CCC Online Home


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