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2022 Call for Proposals

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Proposal deadline for the 2022 CCCC Annual Convention is 11:59 p.m. EDT on Monday, June 7, 2021.

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The Promises and Perils of Higher Education: Our Discipline’s Commitment to Diversity, Equity, and Linguistic Justice

2022 CCCC Annual Convention
March 9–12, 2022
Online

Program Chair: Staci M. Perryman-Clark, Western Michigan University

 

Why are you here?

“Why are you here” was the name of the first college writing assignment I ever assigned as I began my career as a graduate teaching assistant and writing teacher. As I continue to assign personal narratives in first-year writing, I often think about that first assignment. I think about and remember some of the responses students have submitted over the years, ranging from suicide attempts to coming out to stories of racism and implicit/explicit biases about writing abilities based on broad strokes and simplistic assumptions about race, class, and gender.

Given that it has been a while since we have been able to gather in person, and given that the COVID-19 pandemic has forever changed what it means to gather for a convention and what it means to have a conference for the dissemination of research, scholarship, and the widest range of creative activities, I now ask the question, “Why are we here?”

To answer this question, we have to be honest about what we mean by “here.” The location of “here” suggests a sense of belonging. It suggests access. It suggests invitations: Some people will be invited; some will not. Others will accept the invitation; others will decline. With the suggestion of invitations, I recognize that systems of power and privilege enable certain folks to send the invitations and vet guest lists, determining who is worth inviting and who is not. And even for those worthy enough to make the guest list, not all guests will necessarily appreciate one another’s presence. In 2011, with my ride-or-die colleague Collin Craig, I wrote “Troubling the Boundaries: (De)constructing WPA Identities at the Intersections of Race and Gender,” in which we grappled with our first experience attending the Council of Writing Program Administrators (CWPA) conference. While we were invited to present our work, which ironically focused on the intersections of race and gender in writing program administration, we were perceived as being out of place because very few Black people attended this conference. In short, our invitation and sense of belonging were questioned.

Fast forward to more than a decade later. Despite being an active member of a scholarly community as well as an academic administrator, my sense of belonging continues to be questioned. I could share the many times I’ve been excluded from key meetings with leaders or the microaggressions I experienced just by my mere existence as juxtaposed with leadership and the authority to make decisions. But I won’t. Not here. Instead, I will simply state that as representatives of a discipline, we bear tremendous responsibility for the gatekeeping practices we employ and who we decide to and decide not to invite to our disciplinary conversations. Now is the time for us to hold ourselves accountable for the gate entry and gatekeeping we practice with our students and each other. For if we don’t, not only will our ethical reputation be at stake but we also risk being so exclusive that our relevance becomes extinct and shifting demographics may potentially lead to a decline in the membership we once treasured, protected, and justified the exclusivity of in the spirit of protecting rigor and the academic integrity of writing studies.

Now it’s time to flip the script, and it just so happens that we got da time today.

Consider the invitation our students receive when they apply for admission to the institutions where we teach. Instead of considering the admissions team as the gatekeepers for postsecondary entrance and instead of considering our introductory writing courses as gatekeepers to advanced writing courses, however, let’s position students as the gatekeepers to higher education enrollment. Let’s consider the following facts: (1) There are fewer high school graduates, and the rate of high school graduation continues to decline (Nadworny 2019); (2) postsecondary enrollment has continued to decline since 2011 (Nadworny 2019; Nietzel 2019); (3) in 2017–2018, whites comprised the minority of college enrollment for the first time; and (4) despite the fact that the pool of Black and Latinx 18-year-olds in the US is not shrinking at the same rate as the pool of white 18-year-olds, especially in regions like the Midwest and Northeast, Black enrollment has fallen sharply since 2017 (Miller 2020). Given these sobering statistics, students are now making choices about whether or not they want to enroll in a postsecondary institution, making competition among postsecondary institutions keen with more pressure being put on chief marketing and recruitment/enrollment officers to sell the optimal college experience to prospective students.

Given enrollment challenges, as a discipline that is committed to the teaching of postsecondary instruction, we can no longer be exclusive about what writing belongs and which writings belong in our classrooms. In making this claim, I acknowledge the 2020 Annual Convention call proposed by Holly Hassel that asked us to consider access and its relationship to what we do as writing teachers; however, I would like to think more about the relationship between access, enrollment, and relevance. As a discipline, how do we remain relevant? How do we use the work that we have done with access to make the case for postsecondary enrollment  to prospective students? What does college writing instruction promise to do for students who have the choice to attend/not to attend college? And what are the perils of not making our case?

When we think of inclusive spaces, Julie Lindquist reminded us in her 2020 call that “teaching inclusively is (only) a matter of teaching ‘about’ diversity, rather than a matter of creating storied learning experiences, or making good on the ones students have. That our primary activity is ‘teaching’ rather than creating learning opportunities for students. That ‘learning’ is an experience that entails only gains, and never losses.” Given this, we must think about the promises and perils of what higher education offers by rethinking how we examine “inclusive” spaces, particularly when we think about student access, teaching, and learning—all commonplace themes in higher education discourse. In the spirit of inclusivity, how do we practice diversity in our teaching—I mean, how do we really practice diversity as opposed to simply teaching about it? And how do our practices afford opportunities to both teach and model inclusivity as well as offer spaces to learn from the wide and diverse range of experiences that students bring with them when they enroll in higher education more broadly and in our writing courses more specifically.

It is clear that given the shifting demographics of college students who enroll in higher education, we can no longer think about diversity and inclusion as abstract concepts or as buzzwords strategically placed in writing program descriptions or on university webpages. Nor can we rely only on the language of our CCCC mission statement, particularly its first sentence that marks CCCC as “committed to supporting the agency, power, and potential of diverse communicators inside and outside of postsecondary classrooms” (emphasis added). While eloquently stated, our mission must critically examine the material and physical realities of those whom we invite to our community. While we have always had ethical obligations to consider access and equity in whom we invite to partake in our disciplinary conversations, we no longer have the fortune of relying on language alone to send the message of an organization that purports to be welcoming, inviting, and hence, inclusive. Even if sincere and genuine in our language, there is no guarantee that students will accept our lip service—let alone our invitation to higher education or our discipline.

Therefore, it is time to think beyond diversity by also revisiting what our discipline historically and presently means about equity and inclusion. Beyond the invitation, how do we really know our pedagogical practices are equitable? How do we really know that our disciplinary practices are equitable? As a field, what evidence have we produced up until this point, what evidence do we need to present, and what evidence might we already have concerning areas for equitable improvement? Put simply, given our historical past, present, and future, where do we go from here? How do we make CCCC a more equitable organization, and how do we take our understanding (old and new) of equity to shape enrollment, teaching, and learning in higher education?

As Julie Lindquist also reminded us in her 2020 Annual Convention call, “What is going well, of course, is the strength and resolve of our organization as a countervailing force in national and local conversations about educational access, adult literacy, rhetorical ethics, and cultural and social diversity. We know that our work as members of CCCC has a renewed exigency and a new urgency.” Given this, I second the exigency and urgency to use what we know about diversity and equity in the pursuit of social justice. Social justice, though, is not a term I use lightly. For me, social justice has life or death consequences. For instance, at my home institution, Western Michigan University, an African American student recently died after contracting coronavirus. Even more recently, a former African American student was shot to death by a security guard in a mental health facility. Placed in relation to recent statistics that acknowledge racial inequities associated with healthcare and coronavirus death (Center for Disease Control 2020; Godoy and Wood, 2020) in addition to the many, many examples of unarmed killings of Black and Brown citizens (far too many to list in this space), I submit that as writing teachers and educators we have a deeper responsibility to commit to social justice.

Perhaps one might see the connections from the examples I just shared in relation to higher education enrollment; however, we must also begin and continue to take a more active role as a discipline in our commitment to social justice: It really is a life and death issue. As Asao B. Inoue (2019) reminded us in his coda, “Assessing English So That People Stop Killing Each Other,” labor-based contract grading practices enable us to critique and resist dominant power and discourses. More specifically, in terms of survival, labor-based contract grading allows opportunities to resist white language supremacy, and, in essence, resist white supremacy in the pursuit of social justice because “they create sustainable and liveable [sic] conditions for locally diverse students and teachers to do antiracist, anti-White supremacist, and other social justice language work, conditions that are much harder to have when writing is graded on so-called quality or by some single standard, and when students’ labors are not fully recognized and valued” (p. 306). Anticipating readers’ potential responses that social justice in writing assessment might be an extreme and far-fetched leap from survival, Inoue further proposes that we rethink survival and killing in the following way:

Do standards in English writing classrooms kill people? Hmm. Maybe a better question is this: In a world of police brutality against Black and Brown people in the US, of border walls and regressive and harmful immigration policies, of increasing violence against Muslims, of women losing their rights to the control their own bodies, of overt White supremacy, of mass shootings in schools, of blatant refusals to be compassionate to the hundreds of thousands of refugees around the world, where do we really think this violence, discord, and killing starts? (p. 306)

When reframing the question in the way Inoue suggests, we can understand how those who judge language from a white-supremacist framework are also and often the same folks who make gatekeeping decisions about justice, decisions that have life and death consequences. Even more recently, April Baker-Bell reminds us that peaking mainstream white English has not enabled a single unarmed Black body to be spared from being murdered by police. In fact, as Baker-Bell (2020) tells it,

If y’all actually believe that using “standard English” will dismantle white supremacy, then you not paying attention! If we, as teachers, truly believe that code-switching will dismantle white supremacy, we have a problem. If we honestly believe that code-switching will save Black people’s lives, then we really ain’t paying attention to what’s happening in the world. Eric Garner was choked to death by a police officer while saying “I cannot breathe.” Wouldn’t you consider “I cannot breathe” “standard English” syntax? (p. 5)

Earlier in this call, I suggested that it is time to flip the script, meaning that it is time to consider the ways in which students are the arbiters of their fates and are the ones positioned as decision makers. Inoue’s discussion of labor-based contract grading affords us one of many ways we might flip the script to afford students decision-granting authority over their futures and lives. Baker-Bell’s ethnographic research on how Black students offer “counterstories” that position their voices as central to dismantling “Anti-Black Linguistic Racism” offers us another example of a way in which students flip the script, reclaim their time, and make decisions about the education for which they are willing and/or unwilling to pay. Given these historical moments in time and higher education, we have no choice but to see students as decision makers over their lives and futures. Granting that authority, then, is one of many ways that we can use our roles as higher education educators to pursue social justice.

Therefore, I invite you to consider how you promise to educate students in the pursuit of social justice. What are the perils for not doing so? How might our physical location and space of the conference in the city of Chicago provide us with a unique opportunity to consider diversity, equity, and social justice as essential and foundational to what we do as writing teachers? What specifically can we learn from the demographics of Chicago about social justice that we can bring back to our own local campuses? And how does the city itself become an invitation for writing teachers to consider the implications of our work as connected to the greater work of higher education? As we consider this invitation and our willingness to accept it, given the higher education landscape, we must also ask not only, “Why are we here?” but also, “Given that we are now here, how does higher education survive? How do we as a discipline survive?

Perhaps our survival might take the form of resistance; Malea Powell (2002) has long argued through rhetorics of survivance a survival that “imagines resistance and survival in the face of violent assimilation strategies” (p. 404). As a field, then, we must resist assimilationist tropes of access including the violence imposed on acquiring edited American English as a life skill. Further, we must also understand that our ability to advocate for resistance in pursuit of social justices also rests on our own survival, for if we do not create welcoming spaces for inclusion, our students will resist our invitations. Without students, not only do our institutions not survive, but we also risk survival as a field.

But, really, it ain’t enough for us to just survive. As much as I am interested in survival, I am also interested in establishing a high quality of life. Put simply, I want us to thrive! I want us to innovate. Vershawn Ashanti Young’s 2019 CCCC CFP identifies our field as a living body by asking us what might happen if we “think of rhetoric and composition as live, as embodied actions, as behaviors, yes, as performances inside of one pod—our discipline—that lead to the creation of texts, to presentations, that invite mo performances and certainly mo co-performances.” Echoing Young, I ask us to think of our work as a living entity that impacts and shapes the future of education for students across a wide range of institutional contexts. And I want us to create hope and promise for how our work impacts higher education’s future in the most innovative and exciting of ways. I want to us to dream and reimagine what we might become.

 

Proposals for CCCC 2022

Regardless of role or session type, proposals will be judged based on the following criteria:

  • connects teaching and learning in postsecondary writing to larger issues of higher education enrollment and access;
  • promotes and/or advances diversity, equity, and inclusion, especially for historically oppressed populations, in pursuit of social and/or linguistic justice;
  • is situated within current and relevant scholarship or research in the field;
  • reflects an awareness of audience needs relevant to the topic; and
  • demonstrates a clear and specific plan that aligns with the criteria for the selected session type.

In essence, I want an institution, an organization, and a convention that is all the way live, an “event that is extremely lively, exciting, dynamic. Also live” (Smitherman, 2006, p. 21).

As you consider this call, I leave you with a final word from my academic mother, Geneva Smitherman, a word that builds on past wisdom of our elders as we reimagine the future: “As I have learned from the elders and sacrifices of many thousands gone, the role of the linguist—indeed the role of all scholars and intellectuals—is not just to understand the world, but to change it” (p. 145).

I very much look forward to gathering with you all together in person in Chicago in 2022!

Staci M. Perryman-Clark
2022 Program Chair

 

Program Clusters

2018

1. Pedagogy (#Pedagogy)
2. Basic Writing (#BW)
3. Assessment (#Assess)
4. Rhetoric (#Rhetoric)
5. History (#History)
6. Technology (#Tech)
7. Language (#Language)
8. Professional Technical Writing (#PTW)
9. Writing Program Administration (#WPA)
10. Theory (#Theory)
11. Public, Civic, and Community Writing (#Community)
12. Creative Writing (#Creativewriting)

2019

1. First-Year and Advanced Composition
2. Basic Writing
3. Community, Civic & Public
4. Creative Writing
5. History
6. Information Technologies
7. Institutional and Professional
8. Language
9. Professional and Technical Writing
10. Research
11. Writing Pedagogies and Processes
12. Theory
13. Writing Programs

2020

1. First-Year and Basic Writing
2. Writing Programs and Majors
3. Approaches to Learning and Learners
4. Community, Civic, and Public Contexts of Writing
5. Creative Writing and Publishing
6. History
7. Information Technologies and Digital Cultures
8. Institutions, Labor Issues, and Professional Life
9. Language and Literacy
10. Professional and Technical Writing
11. Research
12. Theory and Culture
13. Inventions, Innovations, and New Inclusions

2021

1. First-Year Writing
2. College Writing Transitions
3. Labor
4. Writing Programs
5. Community, Civic, and Public Contexts of Writing
6. Reading
7. Access
8. Historical Perspectives
9. Creating Writing and Publishing
10. Information Literacy and Technology
11. Language and Literacy
12. Professional and Technical Writing
13. Theory and Research Methodologies

2022

1. First-Year Writing
2. College Writing and Reading
3. Institutions: Labor Issues, Professional Lives, and Survival
4. Writing Programs
5. Community, Civic, and Public Contexts of Writing
6. Approaches to Teaching and Learning
7. Inclusion and Access
8. Histories of Rhetoric
9. Creating Writing and Publishing
10. Information Literacy and Technology
11. Language, Literacy and Culture
12. Professional and Technical Writing
13. Theory and Research Methodologies
14. Antiracism and Social Justice

 

Works Cited

Baker-Bell, April. Linguistic Justice: Black Language, Literacy, Identity and Pedagogy. Routledge, 2020.

Center for Disease Control. “Health Equity Considerations and Racial and Ethnic Groups.” www.cdc.gov/coronavirus/2019-ncov/community/health-equity/race-ethnicity.html.

Craig, Collin Lamont, and Staci Maree Perryman-Clark. “Troubling the Boundaries: (De)Constructing WPA Identities at the Intersections of Race and Gender.” WPA: Writing Program Administration, vol. 34, no. 2, 2011, pp. 37–58.

Godoy, Maria, and Daniel Wood. “What Do Coronavirus Racial Disparities Look Like State by State?” NPR, 2020, www.npr.org/sections/health-shots/2020/05/30/865413079/what-do-coronavirus-racial-disparities-look-like-state-by-state.

Inoue, Asao B. Labor-Based Grading Contracts: Building Equity and Inclusion in the Compassionate Writing Classroom. WAC Clearinghouse, 2019.

Miller, Ben. “It’s Time to Worry About College Enrollment Declines Among Black Students.” Center for American Progress, 2020, www.americanprogress.org/issues/education-postsecondary/reports/2020/09/28/490838/time-worry-college-enrollment-declines-among-black-students/.

Nadworny, Lisa. “Fewer Students Are Going to College. Here’s Why That Matters.” NPR, 2019, www.npr.org/2019/12/16/787909495/fewer-students-are-going-to-college-heres-why-that-matters.

Nietzel, Michael. “College Enrollment Declines Again. It’s Down More Than Two Million Students in This Decade.” Forbes, 2019, www.forbes.com/sites/michaeltnietzel/2019/12/16/college-enrollment-declines-again-its-down-more-than-two-million-students-in-this-decade/?sh=3b9d012b3d95.

Powell, Malea. “Rhetorics of Survivance: How American Indians Use Writing.” College Composition and Communication, vol. 53, no. 3, Feb. 2002, 396–434.

Smitherman, Geneva. Word from the Mother: Language and African Americans. Routledge, 2006.

CCCC Annual Convention Workshops

The CCCC 2025 Workshops below will be held on Wednesday, April 9, and Saturday, April 12, 2025, at the following times:

Wednesday, April 9:

  • All-Day Workshops: 9:00 a.m.–5:00 p.m. ($40)
  • Morning Workshops: 9:00 a.m.–12:30 p.m. ($20)
  • Afternoon Workshops: 1:30–5:00 p.m. ($20)

Saturday, April 12:

  • Afternoon Workshops: 2:00-5:00 p.m. ($0)

You can add any of these workshops for CCCC 2025 during the registration process. Please note that workshops will be in person only.

Wednesday, April 9, 2025

All-Day Workshops, 9:00 a.m.–5:00 p.m. ($40)

Theory, Research Methodologies, and Praxis
W.1 Creative-Critical Multimodal Play as Rhetorical Pedagogy and Practice
This day-long workshop explores the scholarly and pedagogical uses of creative-critical play with theatrical exercises and multimodal texts. Creative critical practice, the facilitators argue, offers many opportunities to the writing classroom. Purposefully designed exercises that harness creative-critical play towards rhetorical and linguistic analysis can expand literacy practices. 

First-Year Writing
W.2 Empowering Diverse Voices with Generative AI in Multilingual Composition Classrooms
Generative AI as a writing tool empowers English language learner (ELL) voices and fosters equity in multilingual composition classrooms. Writers from diverse language backgrounds and cultural perspectives can use generative AI to enhance writing skills, spur creativity, and gain confidence while composing. Presenters will share experiences with generative AI in their composition curriculum. 

Creative Writing and Publishing
W.3 Feminist Workshop: Can I Get a Beat? Or, Collaboration and Publication in the Field
Sponsored by the Feminist Caucus
The Feminist Workshop focuses on the equity work needed in publication and editing. We center reverb to imagine publication as a storytelling place with consequences, the place the discipline bears witness as a collective “we.” We invite folx to join expert panelists in experiential reflection, examination, making, and conversation rooted in wanting inclusive publication-oriented opportunities. 

Theory, Research Methodologies, and Praxis
W.4 International Writing Research: Remixing Perspectives through Collaboration
Sponsored by the International Researchers Consortium
This annual workshop connects writing researchers whose work crosses national borders, bringing international perspectives to CCCC. Consistent with the 2025 theme, participants will gather to engage, listen, collaborate, and remix by playing and sampling research projects representing globally diverse questions, methodologies, modalities, and sites. 

Inclusion and Access
W.5 Latinx Caucus Workshop
Sponsored by the CCCC Latinx Caucus
In this full-day workshop, members of the CCCC Latinx Caucus present on intersections of rhetoric and identity to then guide attendees in activities designed to help them teach about these issues in their courses. 

Approaches to Teaching and Learning
W.6 Mixing It Up: Composing Undergraduate Research Practices into a New Tune
The workshop explores strategies for integrating undergraduate research (UGR) initiatives within writing studies. Drawing on research and speakers’ experiences, practical tools and approaches for designing and implementing projects will be offered. Participants will leave with a concrete action plan for developing and sustaining undergraduate research initiatives in their writing programs. 

Information Literacy and Technology
W.8 The Generative AI Advantage in Teaching Writing
This is the Age of AI, and AI has permanently changed everything in writing and humanities instruction. We can’t go back, but few professors know how to move forward. In this full-day interactive workshop, Michelle Kassorla and Eugenia Novokshanova will equip you with the tools you need to unlock the power of AI in the writing classroom. 

Morning Workshops, 9:00 a.m.–12:30 p.m. ($20)

Inclusion and Access
MW.1 ACCESS n Action: Accessible and Inclusive Course Design Strategies
This workshop will meet attendees where they are, whether they are working on the first or fifteenth iteration of a course. Participants will come away from this workshop with a Google folder of models, heuristics, and selected readings that they can employ for iterative, accessible, course design. 

Approaches to Teaching and Learning
MW.2 Effective and Ethical Approaches to Sentence-Level Feedback on Student Writing
We will explore ethical and effective approaches to providing feedback on student writing, particularly at the sentence level, within the context of social justice concerns related to linguistic inclusion, racial equity, and Generative AI. Ample time will be allotted for critically and collaboratively refining our approaches to feedback, an opportunity we teachers of writing are rarely afforded. 

Information Literacy and Technology
MW.3 Extended Play: Exploring Generative AI in Online Writing Instruction
Sponsored by the Online Writing Instruction Standing Group
During this hands-on workshop attendees will actively use generative AI tools (e.g., ChatGPT). Facilitators will guide us through instructional applications of GenAI especially in asynchronous teaching modalities. In addition to dedicated assignment (re)design time, attendees will develop broader guideline/policy statements around ethical use of GenAI tools tailored to their local contexts. 

Approaches to Teaching and Learning
MW.4 From Bad Ideas to Good Practices of AI and Writing in College
This workshop reframes problematic ideas around AI and writing. Attendees will explore research-informed best practices on AI for the college classroom. They will participate in a framing segment before selecting one of three tracks: assignments, instructional strategies, and policy. Each track will include guided activities to create teaching resources, before participants present in groups. 

Information Literacy and Technology
MW.5 Generative AI and Writing Assessment
Sponsored by the Writing Assessment SIG and the MLA-CCCC AI Task Force
This workshop aims to support participants as they consider how shifts in writing assessment, alongside the rise of generative AI, have altered both their approaches to assessment and their own working/labor conditions and make informed choices about the use of Gen AI in classrooms and institutional assessment contexts. 

Inclusion and Access
MW.6 Humanizing Basic Writers, Transforming Basic Writing Programs: Enacting Mike Rose’s Model of Remix, Collaboration, and Creativity
Sponsored by the Council on Basic Writing
This workshop will, first, review the humanizing principles and practices Mike Rose applied to basic writers and the programs that served them. Then the workshop will guide participants to enact those principles in the site-specific contexts of their own institutions and communities. Participants will emerge with active steps to remix, collaborate, and create community in their programs. 

Information Literacy and Technology
MW.7 Playing OUR Songs: CCCC Edits Wikipedia
Sponsored by the CCCC Wikipedia Initiative
Join this workshop to edit Wikipedia for knowledge equity and improve articles on key topics in composition and rhetoric. 

Information Literacy and Technology
MW.8 Remixing B-sides of AI in Writing Classrooms and Writing Programs
Artificial Intelligence (AI) is changing rapidly, and this half-day workshop aims to fill a need for faculty who struggle with understanding how or whether to work with or against AI in their writing assignments and programs. This intensive workshop focuses on understanding the nuances of working with AI, and the ethical implications of embracing AI. 

Antiracism and Social Justice
MW.9 Remixing the Writing Classroom for Social-Global Justice
This workshop is an opportunity for concerned writing teachers to work towards more justice-driven practices, a praxis we argue must begin on Day 1 of every course. We ask: How do we want our teaching to function in the lived experiences of students and the communities with which we co-exist? How can the writing produced in classrooms translate outside the university and impact the world? 

Writing Programs
MW.10 Writing Programmatic Self-Studies: Gathering Data and Advocating for Change
Attendees will learn strategies for collecting data from diverse campus units about their writing program(s) and using it to compose self-studies that emphasize strengths, identify current needs, and advocate for change. Members of the CWPA Consultant-Evaluator panel will share insights about writing effective self-studies and work individually with attendees to begin the process themselves. 

Theory, Research Methodologies, and Praxis
MW.11 Writing Research Proposals Workshop
Sponsored by the CCCC Research Committee
In this half-day workshop, participants are invited to come together to think about and write successful research studies and proposals. Graduate students and scholars of all ranks are welcome. 

Inclusion and Access
MW.12 Writing with Executive Dysfunction
This workshop is for neurodivergent writers and those who work with them, featuring a mix of activities including timed writing, small group discussion, and collaborative resource sharing. 

Afternoon Workshops, 1:30–5:00 p.m. ($20)

Approaches to Teaching and Learning
AW.1 “Play at Your Own Risk”: Workshopping Risk and Failure Pedagogies
What makes a risk worth taking—in writing and teaching? Our workshop plays with this question through creative, collaborative exercises. Participants will play with classroom activities that can foster risk-taking in their students and themselves and collaborate with others to expand their sense of the stakes involved in risk and failure pedagogies. 

Language, Literacy, and Culture
AW.2 Demystifying AI: How Large Language Models Call Us toward More Focused Attention to Language in Writing Classrooms
Large Language Models (LLMs) like ChatGPT are becoming commonplace in our lives and classrooms, but understanding of how these models work is far less widespread. Our workshop offers a linguistically informed introduction to LLMs and presents classroom activities designed to help students see LLMs as a tool for exploring patterns in language, rather than a replacement for their own unique voices. 

Approaches to Teaching and Learning
AW.3 Generative AI and More: Wrestling with Controversial Issues in and around Multilingual Writing
Sponsored by the Second Language Writing Standing Group
The workshop explores a range of controversial issues related to multilingual writing. Our opening panel discusses ethical concerns and pedagogical opportunities for digital technologies like Generative AI. Several roundtables continue this discussion, while others consider related topics, like multimodality, intertextuality, interdisciplinarity, linguistic justice, and linguistic autobiography. 

First-Year Writing
AW.5 Liberation through Writing: Remixing First-Year Composition through Unique Lenses
Through revising a single English 101 unit based on Writing about Writing by Elizabeth Wardle and Doug Downs, we intend to provide four unique frameworks or lenses (Creative Writing, Indigenous Rhetorics, Digital Environments, and Antiracism and Black Voices) to empower first-year writing instructors to remix or revise their English 101 course assignments while maintaining curriculum integrity. 

Theory, Research Methodologies, and Praxis
AW.6 NNESWIs’ Remixing: Integrating Professional (A-Side) and Transnational, Cross-Cultural Knowledge (B-Side) of Teaching and Research
Sponsored by the Non-Native English-Speaking Writing Instructors (NNESWIs) Standing Group
This workshop shares NNESWIs’ teaching, learning, and research experiences, discusses their strengths and challenges, and demonstrates how they “remix” by integrating their professional strengths (A-side) and rich transnational and cross-cultural knowledge (B-side) in teaching and research to successfully establish themselves and maximize their students’ learning experiences. 

Approaches to Teaching and Learning
AW.7 Persuasive Games: Rhetorically Remixing Games and Writing Assignments
Sponsored by the Council for Play and Game Studies
This workshop will explore how writing teachers can remix existing games or assignments to recreate alternative ideological systems often aimed for social justice by rhetorically changing the game’s mechanics, rules, and/or narrative. Participants will explore rhetorically remixing games by discussing, playing, and designing their own social justice games that teach writing and rhetoric. 

Community, Civic, and Public Contexts of Writing
AW.9 Reclamation: A Handcrafted Rhetorics Approach to Remix
Sponsored by Handcrafted Rhetorics
Disconnections between ourselves and our world are seen in the mental health issues in our classrooms and communities and in the health of our environment. This workshop argues that this can be addressed through handcrafted rhetorics, namely those based in reclamation. Participants will collage, fibercraft, and upcycle, exploring how we might reclaim our attention, material, and making. 

Approaches to Teaching and Learning
AW.10 Remixing Peer Review: Playful and Liberatory Pedagogies to Maximize Student Engagement
This workshop previews playful and practical strategies for remixing peer review. Participants will bring a piece of their own writing to experience models of review from a student’s perspective. They will also evaluate each model for accessibility, cultural responsiveness, and student engagement potential. Participants will leave with several concrete strategies for their own writing classroom.  

Community, Civic, and Public Contexts of Writing
AW.11 Remixing Prison Literacies and Pedagogies
Sponsored by the Prison Literacies + Pedagogies Standing Group
This workshop samples the pedagogical work and access points born of system-impacted scholar-writers, themselves remixing the writing classroom. 

Institutions: Labor Issues, Professional Lives, and Survival
AW.12 Remixing the Harmony: Intentional Balancing out the Triad of Self, Academia, and Family as Parents in the Academy
Designed for parents in the academy, the session utilizes mindful activities like restorative movement, reflective writing, and optional small-group discussion to unpack personal needs and opportunities for change. Reflecting on different tools, resources, and strategies, participants will create unique self-preservation approaches to help them survive rather than simply thrive in academia. 

Saturday, April 12, 2025

Afternoon Workshops, 2:00–5:00 p.m. ($0)

Institutions: Labor Issues, Professional Lives, and Survival
SW.1 “You Are Entirely More Than the Job Market”: Crafting Prefigurative Counterstories on the Job Market
In this workshop, we address the need for hearing the B-side experiences of the job market. Through reflexive prefigurative counterstorytelling, we encourage participants to build together alternative ways of being and doing (on) the job market. We also advocate for forming and participating in communities of practice and adopting inclusive practices for professional growth. 

Information Literacy and Technology
SW.2 An Afternoon of Community Building through Audio Storytelling
Sponsored by the Sound Studies and Writing Collective
Beginning and seasoned audio editors are invited to collaborate in creating and sharing audio storytelling projects. Participants will support each other and leave the workshop with a completed audio project, ideas for scholarly and/or pedagogical applications, and connections to others interested in soundwriting. 

Community, Civic, and Public Contexts of Writing
SW.3 Community Writing Mentorship Workshop
Sponsored by the Council on Community Writing Special Interest Group
This workshop offers peer-with-peer mentoring and feedback to attendees at any level of experience with research design, relevant scholarship, project evaluation, job and tenure evaluation strategies, ethics of community work, and more. This session is led by a diverse group of prominent, engaged scholars within the field of community writing. 

Approaches to Teaching and Learning
SW.4 Engaging in Computer Love: Navigating toward Culturally Relevant Pedagogy and Multimodality in Composition
In this workshop, participants will explore the concept of creating a digitized Zine, a multimodal alternative to the traditional essay, grounded in Culturally Relevant Pedagogy. I will provide an overview of the scholarship that gives purpose and meaning to the development of this project and how to use the Canva platform. 

Community, Civic, and Public Contexts of Writing
SW.5 Exercises in Attunement: A Creative Work-in-Progress Workshop for Writing Teachers by CLJ’s Coda
By workshopping creative works-in-progress, we will experience community writing as a relational praxis sustained by creative writing and inclusive editorial practices. We will explore how community-based praxis can inform more attuned classroom practices to meet diverse student needs and how community writing’s focus on relationships can be employed in classroom settings. 

Institutions: Labor Issues, Professional Lives, and Survival
SW.6 From Draft to Publication: A Hands-on, How-to Workshop on Publishing in Peer-Reviewed Journals
The editors of Teaching English in the Two-Year College, College English, and College Composition and Communication propose a Saturday afternoon writers’ workshop to include an overview of citation justice, five mini-lessons on writing for publication interleaved with workshops to apply those lessons to their scholarly projects, and guidance on forming writing groups for long-term success. 

Creative Writing and Publishing
SW.7 Shared Dancing at the Silent Disco: A Creative Nonfiction Writing Workshop
Sponsored by the Creative Nonfiction Writing Standing Group
Replacing bass-booming clubs, silent discos circumvent rules, celebrating creative expression. Attendees dance to music transmitted to headphones for an experience individual and communal. This interactive workshop parallels that space of active art and quiet focus. Through prompts from creative nonfiction writers, it provides dedicated writing time, small-group sharing, and pedagogical discussion. 

Community, Civic, and Public Contexts of Writing
SW.8 Text Power Telling: Remixing Community and Technology to Create Safe Writing Spaces for Sexual Trauma Survivors
This workshop will introduce participants to “Text Power Telling,” a nonprofit that offers writing workshops and a digital creative arts magazine for sexual trauma survivors. Participants will have the opportunity to experience a TPT workshop, writing together in our anonymous online forum to protect privacy while also sharing a secure physical space with other survivors to cultivate community.

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